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Thread: Air Superfamily™ (Positype) 2011 WF

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    Senior Member Asian has a reputation beyond repute Asian has a reputation beyond repute Asian has a reputation beyond repute Asian has a reputation beyond repute Asian has a reputation beyond repute Asian has a reputation beyond repute Asian has a reputation beyond repute Asian has a reputation beyond repute Asian has a reputation beyond repute Asian has a reputation beyond repute Asian has a reputation beyond repute
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    Air Superfamily™ (Positype) 2011 WF

    MyFonts preview link:
    http://www.myfonts.com/fonts/positype/air/







    About this font family
    In B-movie awesomeness, Air began as Grotesk vs. Grotesque. I was trying to unify the prevailing traits of German and English Grotes(que/k)s in order to make something different but familiar. I am NOT trying to reinvent Helvetica (snore), so get that out of your system. From the onset, I intended this typeface to be a true workhorse that offers infinite options and flexibility for the user. At its core, it is the maturation of the Aaux Next skeleton I developed years ago. I worked out Aaux Next to settle my issues and love for Akzidenz. With Aaux Next, I strove to be mechanical, cold and unforgiving with it. I was single, young, cocky and it fit. Now I'm married, kids, dog and have found that I've turned into a big softy. When I look at Aaux Next (and have for the past few years) I see another typeface trying to eek out. I wanted it to avoid the trappings of robotic sans, quick tricks and compromises. The typeface’s DNA needed to be drawn and not just generated on a screen — so I set aside a year.
    I love type. I love working with type. I hate when my options for a slanted complement is only oblique or italic. I set out to produce both to balance usage — there are more than enough reasons to prepare both and I want the user to feel free to consciously choose (and have the option to choose) the appropriate typeface for print, web, etc. That flexibility was central to my decision-making process. The Oblique is immediate and aggressive. The Italic was redrawn at a less severe angle with far more movement and, as a result, is far more congenial when paired with the Uprights.

    Condensed and Compressed. Yep, why not? I know I would use them.

    There are nine weights currently available. The logical progression of weights and the intended flexibility demanded I explore a number of light weights and their potential uses — this has produced a number of ‘light without being too light’ options that really work based on the size. The result is a robust 81-font superfamily that is functional, professional, and highly legible without compromising its personality. Pair that with over 900 characters per font that includes ligatures, discretionary ligatures, stylistic alternates, fractions, proportional/tabular lining and proportional/tabular oldstyle figures, numerators, denominators, ordinals, superiors, inferiors, small caps, case-sensitive functionality and extensive language support and you have a versatile superfamily well-suited for any project.
    Designers: Neil Summerour
    Design date: 2011
    Publisher: Positype
    MyFonts debut: Nov 18, 2011
    Award: MyFonts Text Family Of The Month (Jan 2012)
    Full family: 81 fonts
    OTF Files
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    Enjoy.
    Last edited by Asian; 04-15-2014 at 09:45 PM.
    If you have problem with my links, PM me.


  2. #2
    Moderator swit has a reputation beyond repute swit has a reputation beyond repute swit has a reputation beyond repute swit has a reputation beyond repute swit has a reputation beyond repute swit has a reputation beyond repute swit has a reputation beyond repute swit has a reputation beyond repute swit has a reputation beyond repute swit has a reputation beyond repute swit has a reputation beyond repute
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    Yeah, sad, the family is not renamed. I know, it would be a huge work to rename them all ;)

    Swit.

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