Avid Media Composer v6.5.0 (Crack Included) | 1.83 GB
Avid Media Composer 6 is nothing like a great tool to create film and video production, for independent producers, and for the new post-production. The program received a new user interface, 64-bit processing, stereoscopic 3D workflow, and a new open architecture that interoperates with existing cards processing hardware from manufacturers such as, AJA and Blackmagic Design. Professional video editor and producers from around the world participated in the development of more effective and convenient tools for processing video, embodied in the new version of the software Media Composer. The new version exceeds all expectations!
Even more effective and easy-to-use video editing tools. Open platform that allows to work with anything and can be integrated into any workflow. High speed and the lack of "bottlenecks." AVID Media Composer 6 embodied all those needs and it was the fastest, most versatile tool for video editing.
The open platform allows users to work with any hardware solutions and to integrate it into any environment. Increased performance eliminates the problem of "bottleneck" and allows you to work faster.
Intuitive, integrated into the Media Composer system media management. Effective tools for pruning. The one-step color correction. Image stabilization. Working with an alpha channel in real time. Processing 16-bit AVX effects. No other application does not have the feature set and such functionality offered by the Media Composer.
- Installation of different formats on the same timeline
The combination at one time-line HD, SD, DV, film images and permits, as well as Avid AVR and Meridien JFIF without rendering, transcoding, or re-digitizing. Editing DVCPRO HD and HDV without rendering. Multicam editing in real-time HD, SD and DV video. Support 24p. Ability to capture 24p for IEEE-1394. Avid Media Composer is compatible with the environment and Avid Unity Avid Interplay.
- Support for Sony XDCAM and Panasonic P2
Save your time! Now, Avid Media Composer, you can be assembled material from Sony XDCAM and Panasonic P2 without predzahvata. Support for Sony XDCAM includes installation of a low-resolution copies, DV and IMX in high definition.
- Coding in the Avid DNxHD
If you're working with HD, then you need the industry's first codec HD - Avid DNxHD, which allows you to save the original HD picture quality one to one with bandwidth comparable to the SD. The new format Avid DNxHD delivers incredible quality of high resolution and save as much disk space, providing the opportunity to work with the project in HD between several workstations. Flow rate of 145 Mbps (with 8-bit video at 4:2:2) and 220 Mbps (with 10-bit video at 4:2:2) with a resolution of 720p and 1080p / i.
- 10-bit color correction in real time
Avid Media Composer has an effective color correction tools, technology-based Avid Symphony. One click of the mouse you can analyze the colors and color correction of the entire sequence.
- Image stabilization using SteadyGlide
Now you can automatically stabilize the footage, which, for some reason, such as camera shake, become unfit for use in the project. As a result, you greatly save your cost and time to work.
Using FluidFilm you can create slow motion effects and "fit-to-fill" (stretch to the desired length) of any video using patented pixel morphing. Speed ??and position control is carried out using key frames are specified on the curve. You can also make your 30i footage 24p video form by using the FluidFilm.
- Record 4 channel audio through a microphone
4-channel audio recording straight to the timeline, without spending time at capture and mounting material. During the dialogue or narration, you can record on a time line of several voices, which will greatly reduce the time to voice acting.
- View the video in full screen mode with DVI output
Now you can output SD and HD material in full screen mode on the LCD monitor, using a standard DVI connector.
- Professional tools for working with film
Each system has built-in Media Composer Avid Film Composer metadata management. The seizure of material from 24p to 25p in real time, as well as automatic synchronization of video and audio sources. Also, when working with film there are additional metadata such as: Timecode, KeyKode, DPX, VXF and UNC.
- Superior media management
Quick and easy ordering, counting and localization of media sources. Move and rename clips without losing links, as all events are automatically updated. Intuitive, customizable media management features are built into the mounting medium and Avid are designed to work with cumbersome and complex projects.
What's new in Media Composer 6.5
Avid Media Authoring
Create AS-02 and other volumes for archive, and write sequences back to the original source media with AMA.
Establish the intended viewing experience with the Active Format Description setting.
Advanced relink support
Reconnect clips to the original or new media using common metadata fields.
I / O hardware release
Switch to software-only mode without disconnecting hardware, and share Avid Open I / O hardware with other software in a single click.
Advanced audio keyframing
Edit and replicate audio keyframes across clips fast, with copy and paste ease.
64-voice audio support
Monitor more audio tracks with greater flexibility and ease.
Minimum requirements for Avid video editing software
Computer: Avid-qualified Windows-based computer2
OS: Windows 7 Professional SP1 (64-bit) (Still need 32-bit Learn more about Media Composer 5.5)
Processor: Intel Core 2 Duo 2.33 GHz processor or faster
Memory: 4 GB of RAM (6 + GB recommended); 24 GB of RAM recommended for Stereoscopic and other high performance workflows
Graphics card: NVIDIA Quadro FX family3 (FX 560 or higher recommended)
Internal hard drive: Minimum 80 GB 7200 rpm hard disk
Extabit = High Speed